Jon McCormack

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Alan DorinMonash University, AustraliaVerified email at monash.edu
Mark d'InvernoGoldsmiths, University of LondonVerified email at gold.ac.uk
Oliver BownAssociate Professor, UNSW Art & DesignVerified email at unsw.edu.au
Toby GiffordResearch Fellow, SensiLab, Monash UniversityVerified email at monash.edu
Taras KowaliwISC-PIF, CNRSVerified email at kowaliw.ca
Alice EldridgeLecturer in Music at University of SussexVerified email at ecila.org
Patrick HutchingsVerified email at patrickhutchings.com.au
Simon ColtonProf. Computational Creativity at Queen Mary University of London, UK & Monash University, AustraliaVerified email at qmul.ac.uk
Matthew Yee-KingLecturer in Computer Science, Goldsmiths College, University of LondonVerified email at gold.ac.uk
Mitchell WhitelawProfessor in Design, Australian National UniversityVerified email at anu.edu.au
Troy InnocentRMIT UniversityVerified email at rmit.edu.au
David C BrownProfessor Emeritus of Computer Science, WPI, Worcester, MA, USAVerified email at wpi.edu
Palle DahlstedtObel Professor of Art & Technology, Aalborg Univ., Associate Professor of Computer-Aided CreativityVerified email at chalmers.se

Jon McCormack

Monash University

Verified email at monash.edu - Homepage

Creativity Electronic Art Evolutionary Art & Music Generative Art Sound Art


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
Grammar based music composition J McCormack Complex systems 96, 321-336, 1996	169	1996
Generative Design: A Paradigm for Design Research. J McCormack, A Dorin, T Innocent	150	2004
Open problems in evolutionary music and art J McCormack Workshops on Applications of Evolutionary Computation, 428-436, 2005	140	2005
Interactive evolution of L-system grammars for computer graphics modelling J McCormack Complex Systems: from biology to computation, 118-130, 1993	123	1993
Creating and rendering convolution surfaces J McCormack, A Sherstyuk Computer Graphics Forum 17 (2), 113-120, 1998	111	1998
Computers and Creativity J McCormack, M d’Inverno Springer, Berlin, 2012	108*	2012
Art, emergence and the computational sublime J McCormack, A Dorin Proceedings of Second Iteration: A Conference on Generative Systems in the …, 2001	90	2001
Understanding Interaction in Contemporary Digital Music: from instruments to behavioural objects O Bown, A Eldridge, J McCormack Organised Sound 14 (2), 188, 2009	87	2009
Eden: An evolutionary sonic ecosystem J McCormack European Conference on Artificial Life, 133-142, 2001	75	2001
Ten questions concerning generative computer art J McCormack, O Bown, A Dorin, J McCabe, G Monro, M Whitelaw Leonardo 47 (2), 135-141, 2014	67	2014
Promoting creative design in interactive evolutionary computation T Kowaliw, A Dorin, J McCormack IEEE transactions on evolutionary computation 16 (4), 523, 2012	56	2012
Facing the future: Evolutionary possibilities for human-machine creativity J McCormack The Art of Artificial Evolution, 417-451, 2008	54	2008
Evolving sonic ecosystems J McCormack Kybernetes, 2003	48	2003
Good theory or just theory? Toward a feminist philosophy of social science T McCormack Women's Studies International Quarterly 4 (1), 1-12, 1981	47	1981
A framework for understanding generative art A Dorin, J McCabe, J McCormack, G Monro, M Whitelaw Digital Creativity 23 (3-4), 239-259, 2012	46	2012
Creative ecosystems J McCormack Computers and creativity, 39-60, 2012	46	2012
Artificial ecosystems for creative discovery J McCormack Proceedings of the 9th annual conference on Genetic and evolutionary …, 2007	37	2007
Life’s what you make: Niche construction and evolutionary art J McCormack, O Bown Workshops on Applications of Evolutionary Computation, 528-537, 2009	36	2009
Aesthetic evolution of L-systems revisited J McCormack Workshops on Applications of Evolutionary Computation, 477-488, 2004	35	2004
Impossible nature: the art of Jon McCormack J McCormack Australian Centre for the Moving Image, 2004	35	2004

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