Giovanni De Poli

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Sergio CanazzaDept. Information Engineering, University of Padova (Italy)Verified email at dei.unipd.it
Antonio RodàUniversity of PadovaVerified email at dei.unipd.it
Davide RocchessoProfessor. Università degli Studi di MilanoVerified email at unimi.it
Antonio CamurriProfessor, University of Genoa, ItalyVerified email at unige.it
Augusto SartiFull Professor at Politecnico di MilanoVerified email at polimi.it
Marc LemanProfessor in musicology, Ghent UniversityVerified email at UGent.be
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerified email at kth.se
carlo drioliUniversità di UdineVerified email at uniud.it
Gualtiero VolpeDIBRIS - University of GenovaVerified email at unige.it
Federico AvanziniFull Professor, University of MilanoVerified email at di.unimi.it
Piero CosiISTC CNR - UOS Padova (Istituto di Scienze e Tecnologie della Cognizione - Consiglio Nazionale delleVerified email at pd.istc.cnr.it
Anders FribergKTH Royal Institute of TechnologyVerified email at kth.se
Nicola BernardiniProfessor, Scuola di Musica Elettronica, Conservatorio "S.Cecilia" RomaVerified email at conservatoriosantacecilia.it
Federico FontanaAssociate Professor, University of Udine - ItalyVerified email at uniud.it
Nicola LaurentiDepartment of Information Engineering, University of Padua, ItalyVerified email at dei.unipd.it
Simon DixonCentre for Digital Music, Queen Mary University of LondonVerified email at qmul.ac.uk
Gerhard WidmerProfessor of Computer Science, Johannes Kepler University LinzVerified email at jku.at
Werner GoeblProfessor, Head of Department of Music Acoustics, mdw – University of Music and Performing ArtsVerified email at mdw.ac.at
Paolo TonellaUniversità della Svizzera italiana (USI)Verified email at usi.ch
Mitsuyo HashidaDept. of Music & Managements, Soai University, JapanVerified email at soai.ac.jp

Giovanni De Poli

Full Professor of Computer Engineering, University of Padova

Verified email at dei.unipd.it

Sound and Music Computing


Title Sort by citations Sort by year Sort by title	Cited by Cited by	Year
DAFX-Digital audio effects U Zölzer, X Amatriain, D Arfib, J Bonada, G De Poli, P Dutilleux, ... John Wiley & Sons, 2002	900	2002
Communicating expressiveness and affect in multimodal interactive systems A Camurri, G Volpe, G De Poli, M Leman Ieee Multimedia 12 (1), 43-53, 2005	249	2005
Representations of Musical Signals G De Poli, A Piccialli, C Roads Cambridge, MA: MIT Press, 1991	164	1991
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems G Borin, G De Poli, D Rocchesso IEEE Transactions on Speech and Audio Processing 8 (5), 597-605, 2000	163	2000
Sonological models for timbre characterization G De Poli, P Prandoni Journal of New Music Research 26 (2), 170-197, 1997	143	1997
Musical signal processing C Roads, A Piccialli, G De Poli, ST Pope Swets & Zeitlinger, 1997	124*	1997
Pitch-synchronous granular synthesis G De Poli, A Piccialli Representations of musical signals, 187-219, 1991	123*	1991
Auditory modelling and self‐organizing neural networks for timbre classification P Cosi, G De Poli, G Lauzzana Journal of New Music Research 23 (1), 71-98, 1994	116	1994
Modeling and control of expressiveness in music performance S Canazza, G De Poli, C Drioli, A Roda, A Vidolin Proceedings of the IEEE 92 (4), 686-701, 2004	106	2004
Note‐by‐note analysis of the influence of expressive intentions and musical structure in violin performance G De Poli, A Rodà, A Vidolin Journal of New Music Research 27 (3), 293-321, 1998	105	1998
Methodologies for expressiveness modelling of and for music performance G De Poli Journal of New Music Research 33 (3), 189-202, 2004	103	2004
Toward nonlinear wave digital filters A Sarti, G De Poli IEEE Transactions on Signal Processing 47 (6), 1654-1668, 1999	97	1999
A multi-layered conceptual framework for expressive gesture applications A Camurri, G De Poli, M Leman, G Volpe Proc. intl MOSART workshop, Barcelona, 2001	93	2001
Score-independent audio features for description of music expression L Mion, G De Poli IEEE Transactions on Audio, Speech, and Language Processing 16 (2), 458-466, 2008	89	2008
A tutorial on digital sound synthesis techniques G De Poli Computer Music Journal 7 (4), 8-26, 1983	89	1983
Sense in expressive music performance: Data acquisition, computational studies, and models W Goebl, S Dixon, G De Poli, A Friberg, R Bresin, G Widmer Sound to sense-sense to sound: A state of the art in sound and music …, 2008	84	2008
An abstract control space for communication of sensory expressive intentions in music performance S Canazza, G De Poli, A Rodà, A Vidolin Journal of New Music Research 32 (3), 281-294, 2003	83	2003
Audio Morphing Different Expressive Intentions for Multimedia Systems S Canazza, G De Poli, C Drioli, A Roda`, V Alvise IEEE Multimedia 7 (3), 79-83, 2000	74	2000
Algorithms and structures for synthesis using physical models G Borin, G De Poli, A Sarti Computer Music Journal 16 (4), 30-42, 1992	74	1992
Physically informed signal processing methods for piano sound synthesis: a research overview B Bank, F Avanzini, G Borin, G De Poli, F Fontana, D Rocchesso EURASIP journal on advances in signal processing 2003, 1-12, 2003	66	2003

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