| Kinesonic approaches to mapping movement and music with the remote electroacoustic kinesthetic sensing (RAKS) system A Hsu, S Kemper Proceedings of the 2nd International Workshop on Movement and Computing, 45-47, 2015 | 14 | 2015 |
| Mechatronic Expression: Reconsidering Expressivity in Music for Robotic Instruments. ST Kemper, S Barton NIME, 84-87, 2018 | 10 | 2018 |
| Network socio-synthesis and emergence in NOMADS M Burtner, S Kemper, D Topper Organised Sound 17 (1), 45-55, 2012 | 10 | 2012 |
| Marie: monochord-aerophone robotic instrument ensemble. T Rogers, ST Kemper, S Barton NIME, 408-411, 2015 | 9 | 2015 |
| The Anthropomorphic Analogy: Humanising musical machines in the early modern and contemporary eras R Cypess, S Kemper Organised Sound 23 (2), 167-180, 2018 | 7 | 2018 |
| Shadows no. 4: belly dance and interactive electroacoustic musical performance AY Hsu, ST Kemper CHI'10 Extended Abstracts on Human Factors in Computing Systems, 3117-3120, 2010 | 7 | 2010 |
| Kinesonic Composition as Choreographed Sound: Composing Gesture in Sensor-Based Music A Hsu, S Kemper 2015 International Computer Music Conference, 412-415, 2015 | 5 | 2015 |
| Composing for Musical Robots: Aesthetics of electromechanical music S Kemper Emille: Journal of the Korean Electro-Acoustic Music Society 12, 25-31, 2014 | 5 | 2014 |
| Manus Tremens S Kemper Proceedings of the 8th International Conference on Movement and Computing, 1-2, 2022 | 4 | 2022 |
| Locating creativity in differing approaches to musical robotics S Kemper Frontiers in Robotics and AI 8, 647028, 2021 | 4 | 2021 |
| Dance from the heart: A dance performance of sounds led by the dancer’s heart V Kalampratsidou, M Zavorskas, J Albano, S Kemper, EB Torres Sixth International Symposium on Movement and Computing, 2019 | 4 | 2019 |
| Can Musical Machines Be Expressive? Views from the Enlightenment and Today S Kemper, R Cypess Leonardo 52 (5), 448-454, 2017 | 4 | 2017 |
| Real time streaming and closed loop co-adaptive interface to steer multi-layered nervous systems performance V Kalampratsidou, S Kemper, B Elizabeth Torres 48th Annual Meeting of Society for Neuroscience, 2018 | 3 | 2018 |
| Music and AI A Bonnici, RB Dannenberg, S Kemper, KP Camilleri Frontiers in artificial intelligence 4, 651446, 2021 | 2 | 2021 |
| Tremolo-Harp: A Vibration-Motor Actuated Robotic String Instrument S Kemper | 2 | 2020 |
| The Hybrid Body and Sonic-Cyborg Performance in Why Should Our Bodies End at the Skin? A Hsu, S Kemper Proceedings of the Thirteenth International Conference on Tangible, Embedded …, 2019 | 2 | 2019 |
| From Sacred Narrative to Evocations of Ancientness: Mythical meaning in contemporary music ST Kemper University of Virginia, 2012 | 2 | 2012 |
| Tremolo-Chimes: Vibration-Motor Actuated Robotic “Wind” Chimes S Kemper NIME 2021, 2021 | 1 | 2021 |
| Real-time proxy-control of re-parameterized peripheral signals using a close-loop interface V Kalampratsidou, S Kemper, EB Torres JoVE (Journal of Visualized Experiments), e61943, 2021 | 1 | 2021 |
| Enacting Sonic-Cyborg Performance through the Hybrid Body in Teka-Mori and Why Should Our Bodies End at the Skin? A Hsu, S Kemper Leonardo Music Journal 29, 83-87, 2019 | 1 | 2019 |
