| Serious play: Modern clown performance L Peacock Intellect, 2009 | 141 | 2009 |
| Serious play: Modern clown performance L Peacock Intellect, 2009 | 141 | 2009 |
| Slapstick and comic performance: Comedy and pain L Peacock Springer, 2014 | 88 | 2014 |
| Conflict and slapstick in Commedia dell'Arte—The double act of Pantalone and Arlecchino L Peacock Comedy Studies 4 (1), 59-69, 2013 | 10 | 2013 |
| Sending laughter around the world L Peacock Humor 29 (2), 223-241, 2016 | 9 | 2016 |
| Analysing stand-up comedy S Lockyer, B Mills, L Peacock Comedy Studies 2 (2), 99-100, 2011 | 9 | 2011 |
| No Pain: No Gain–the provocation of laughter in slapstick comedy L Peacock Popular entertainment studies 1 (2), 93-106, 2010 | 9 | 2010 |
| Popular Performance A Ainsworth, O Double, L Peacock Bloomsbury Publishing, 2017 | 7 | 2017 |
| Battles, blows and blood: Pleasure and terror in the performance of clown violence L Peacock Comedy Studies 11 (1), 74-84, 2020 | 6 | 2020 |
| Clowns and Clown Play L Peacock The Routledge Circus Studies Reader, 652, 2016 | 6* | 2016 |
| Joan Rivers—Reading the meaning L Peacock Comedy Studies 2 (2), 125-137, 2011 | 5 | 2011 |
| A Cultural History of Tragedy in the Age of Empire M Gamer, D Saglia, R Bushnell Bloomsbury Publishing, 2021 | 4* | 2021 |
| Grock: Genius among Clowns L Peacock Popular Performance, Bloomsbury, London, 119-136, 2017 | 4 | 2017 |
| Performing the Burlesque Body: The Explicit Female Body as Palimpsest L Sally, A Ainsworth, O Double, L Peacock Popular Performance, 161-75, 2017 | 3 | 2017 |
| Circus Clowns L Peacock The Cambridge Companion to the Circus, 141, 2021 | 1 | 2021 |
| Slapstick and Comic Violence in Commedia dell'Arte L Peacock The Routledge Companion to Commedia dell'Arte, 185-192, 2014 | 1 | 2014 |
| What is Slapstick? L Peacock Slapstick and Comic Performance: Comedy and Pain, 15-39, 2014 | 1 | 2014 |
| The Body L Peacock A CULTURAL HISTORY OF COMEDY, 97, 2020 | | 2020 |
| Joan Rivers–Reading the meaning (2: 2) L Peacock The Routledge Comedy Studies Reader, 224-235, 2019 | | 2019 |
| Training the Popular Performer A Ainsworth, O Double, L Peacock THEATRE DANCE AND PERFORMANCE TRAINING 8 (2), 125-128, 2017 | | 2017 |
