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Louise Peacock
Louise Peacock
Verified email at dmu.ac.uk
Title
Cited by
Cited by
Year
Serious play: Modern clown performance
L Peacock
Intellect Books, 2009
1172009
Serious play: Modern clown performance
L Peacock
Intellect Books, 2009
1172009
Slapstick and comic performance: Comedy and pain
L Peacock
Springer, 2014
702014
Sending laughter around the world
L Peacock
Humor 29 (2), 223-241, 2016
82016
Conflict and slapstick in Commedia dell'Arte—The double act of Pantalone and Arlecchino
L Peacock
Comedy Studies 4 (1), 59-69, 2013
82013
Analysing stand-up comedy
S Lockyer, B Mills, L Peacock
Comedy Studies 2 (2), 99-100, 2011
82011
No Pain: No Gain–the provocation of laughter in slapstick comedy
L Peacock
Popular entertainment studies 1 (2), 93-106, 2010
82010
Popular Performance
A Ainsworth, O Double, L Peacock
Bloomsbury Publishing, 2017
72017
Joan Rivers—Reading the meaning
L Peacock
Comedy Studies 2 (2), 125-137, 2011
72011
Clowns and Clown Play
L Peacock
The Routledge Circus Studies Reader, 652, 2016
4*2016
Performing the Burlesque Body: The Explicit Female Body as Palimpsest
L Sally, A Ainsworth, O Double, L Peacock
Popular Performance, 161-75, 2017
32017
Grock: Genius among Clowns
L Peacock
Popular Performance, Bloomsbury, London, 119-136, 2017
32017
Battles, blows and blood: pleasure and terror in the performance of clown violence
L Peacock
Comedy Studies 11 (1), 74-84, 2020
12020
Slapstick and Comic Violence in Commedia dell'Arte
L Peacock
The Routledge Companion to Commedia dell'Arte, 185-192, 2014
12014
What is Slapstick?
L Peacock
Slapstick and Comic Performance, 15-39, 2014
12014
Circus Clowns
L Peacock
The Cambridge Companion to the Circus, 141, 2021
2021
A Cultural History of Comedy in the Modern Age
L Peacock, AMC Stott, E Weitz
Bloomsbury Publishing, 2020
2020
Conflict and slapstick in Commedia dell’Arte–The double act of Pantalone and Arlecchino (4: 1)
L Peacock
The Routledge Comedy Studies Reader, 49-58, 2019
2019
Joan Rivers–Reading the meaning (2: 2)
L Peacock
The Routledge Comedy Studies Reader, 224-235, 2019
2019
Training the Popular Performer
A Ainsworth, O Double, L Peacock
THEATRE DANCE AND PERFORMANCE TRAINING 8 (2), 125-128, 2017
2017
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