| Sensori-motor learning with movement sonification: perspectives from recent interdisciplinary studies F Bevilacqua, EO Boyer, J Françoise, O Houix, P Susini, A Roby-Brami, ... Frontiers in neuroscience 10, 385, 2016 | 100 | 2016 |
| Groovenet: Real-time music-driven dance movement generation using artificial neural networks O Alemi, J Françoise, P Pasquier networks 8 (17), 26, 2017 | 88 | 2017 |
| Probabilistic Models for Designing Motion and Sound Relationships J Françoise, N Schnell, R Borghesi, F Bevilacqua Proceedings of the 2014 International Conference on New Interfaces for …, 2014 | 79 | 2014 |
| Attending to breath: exploring how the cues in a virtual environment guide the attention to breath and shape the quality of experience to support mindfulness M Prpa, K Tatar, J Françoise, B Riecke, T Schiphorst, P Pasquier Proceedings of the 2018 designing interactive systems conference, 71-84, 2018 | 78 | 2018 |
| Mapping through listening B Caramiaux, J Françoise, N Schnell, F Bevilacqua Computer Music Journal 38 (3), 34-48, 2014 | 77 | 2014 |
| Designing for kinesthetic awareness: Revealing user experiences through second-person inquiry J Françoise, Y Candau, S Fdili Alaoui, T Schiphorst Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 72 | 2017 |
| Vocalizing dance movement for interactive sonification of laban effort factors J Françoise, S Fdili Alaoui, T Schiphorst, F Bevilacqua Proceedings of the 2014 conference on Designing interactive systems, 1079-1082, 2014 | 62 | 2014 |
| Seeing, sensing and recognizing Laban movement qualities S Fdili Alaoui, J Françoise, T Schiphorst, K Studd, F Bevilacqua Proceedings of the 2017 CHI Conference on Human Factors in Computing Systems …, 2017 | 59 | 2017 |
| A multimodal probabilistic model for gesture--based control of sound synthesis J Françoise, N Schnell, F Bevilacqua Proceedings of the 21st ACM international conference on Multimedia, 705-708, 2013 | 58 | 2013 |
| A hierarchical approach for the design of gesture-to-sound mappings J Françoise, B Caramiaux, F Bevilacqua 9th sound and music computing conference, 233-240, 2012 | 53 | 2012 |
| Cultivating kinaesthetic awareness through interaction: Perspectives from somatic practices and embodied cognition Y Candau, J Françoise, SF Alaoui, T Schiphorst Proceedings of the 4th International Conference on Movement Computing, 1-8, 2017 | 49 | 2017 |
| Motion-sound mapping through interaction: An approach to user-centered design of auditory feedback using machine learning J Françoise, F Bevilacqua ACM Transactions on Interactive Intelligent Systems (TiiS) 8 (2), 1-30, 2018 | 45 | 2018 |
| Marcelle: composing interactive machine learning workflows and interfaces J Françoise, B Caramiaux, T Sanchez The 34th Annual ACM symposium on user interface software and technology, 39-53, 2021 | 38 | 2021 |
| Motion-Sound Mapping by Demonstration J Françoise Université Pierre et Marie Curie, 2015 | 38 | 2015 |
| Gesture-sound mapping by demonstration in interactive music systems J Françoise Proceedings of the 21st ACM international conference on Multimedia, 1051-1054, 2013 | 36 | 2013 |
| Realtime Segmentation and Recognition of Gestures using Hierarchical Markov Models J Françoise, B Caramiaux, F Bevilacqua Master ATIAM - Ircam, UPMC, 2011 | 29 | 2011 |
| Co/da: Live-coding movement-sound interactions for dance improvisation J Françoise, S Fdili Alaoui, Y Candau Proceedings of the 2022 CHI Conference on Human Factors in Computing Systems …, 2022 | 27 | 2022 |
| How do people train a machine? Strategies and (Mis) Understandings T Sanchez, B Caramiaux, J Françoise, F Bevilacqua, WE Mackay Proceedings of the ACM on human-computer interaction 5 (CSCW1), 1-26, 2021 | 27 | 2021 |
| Rising tones and rustling noises: Metaphors in gestural depictions of sounds G Lemaitre, H Scurto, J Françoise, F Bevilacqua, O Houix, P Susini PloS one 12 (7), e0181786, 2017 | 27 | 2017 |
| Machine learning approaches for motor learning: a short review B Caramiaux, J Françoise, W Liu, T Sanchez, F Bevilacqua Frontiers in Computer Science 2, 16, 2020 | 18 | 2020 |
Frederic BevilacquaIRCAM ParisVerified email at ircam.fr
