| Ambiguity of the Trauma Narrative in Claudia Llosa's The Milk of Sorrow M Županović Interdisciplinary Description of Complex Systems: INDECS 17 (2-A), 294-303, 2019 | 2 | 2019 |
| Narativne subverzije romana Sjećanja na nerazvijenost Edmunda Desnoesa u istoimenom filmu Tomása Gutiérreza Alee M Županović Komunikacija i kultura online 1 (14), 1-13, 2023 | 1 | 2023 |
| Latinskoamerički film i identiteti M Županović | 1 | 2018 |
| Comedia ranchera: A Reactionary Genre of Mexican Cinema M Županović Umjetnost riječi 60 (3-4), 197-208, 2017 | 1 | 2017 |
| DESPEKTIVNI ETNONIMI ZA MIJEŠANO STANOVNIŠTVO U NEKADAŠNJIM ŠPANJOLSKIM KOLONIJAMA: ETNOLINGVISTIČKI PRIKAZ KASTA U POTKRALJEVSTVIMA NOVE ŠPANJOLSKE I PERUA M Županović, I Lončar Komunikacija i kultura online 5 (5), 65-85, 2014 | 1* | 2014 |
| Body art kao suvremeni pharmakon/pharmakos M Županović Kazalište: časopis za kazališnu umjetnost 17 (37/38), 96-101, 2009 | 1 | 2009 |
| Performativity of the disabled bodies in Violeta Ayala’s La Pelea M Županović Screen Studies Conference, 40-41, 2021 | | 2021 |
| Duplicity and posthegemony in Claudia Llosa’s Madeinusa and Lucrecia Martel’s La niña santa M Županović, V Lovrinović Journal of Romance Studies 21 (2), 209-236, 2021 | | 2021 |
| EL ESPECTADOR PENSANTE. EL CINE DE JORGE SANJINÉS Y EL GRUPO UKAMAU M Županović Secuencias Revista de historia del cine 1 (49-50), 180-182, 2020 | | 2020 |
| El espectador pensante. El cine de Jorge Sanjinés y el grupo Ukamau: David MJ Wood M Županović Secuencias, 180-182, 2019 | | 2019 |
| Duplicidad y poshegemonía en Madeinusa de Claudia Llosa y La niña santa de Lucrecia Martel M Županović, V Lovrinović LATIN AMERICAN WOMEN’S FILMMAKING, 2017 | | 2017 |
| Narrating Trauma in Latin American Women's Cinema M Županović Narratology and Its Discontents: Narrating beyond Narration, ---, 2017 | | 2017 |
| A Different Kind of Lexicon for a Different Kind of Cinema M Županović Sic: časopis za književnost, kulturu i književno prevođenje 7 (1), 0-0, 2016 | | 2016 |
| Deconstructing Cholaje in Peruvian and Bolivian Cinema M Županović CASCA 5 (1), 2016 | | 2016 |
| Strategije prikazivanja i predstavljanja identiteta u latinskoameričkom filmu M Županović University of Zadar, 2015 | | 2015 |
| Blurring the Other in Memories of Underdevelopment and Pixote: The Law of the Weakest M Županović CASCA, časopis za društvene nauke, kulturu i umetnost 1 (4), 92-101, 2015 | | 2015 |
| Politics of Memory: A Study in Latin American Revolutionary Cinema M Županović SiC 2 (3), 2013 | | 2013 |
| Izmještanje matrice M Županović Hrvatsko glumište 48, 41-42, 2011 | | 2011 |
| Manifestne tendencije latino filma i obrati: Argentina, Brazil, Čile, Kuba i Kolumbija M Županović FILMOLOGIJA, KRITIKA, UMJETNOST, 0 | | |
| Nevidljiva umjetnost performansa: zadarska linija izvedbenog otpora M Županović, J Šantorić Zadarski filološki dani 10, 0 | | |
Ivana LončarProfessor of Spanish Grammar and Linguistics, University of ZadarVerified email at unizd.hr
