| The motet in the age of Du Fay JE Cumming Cambridge University Press, 2003 | 72 | 2003 |
| Introduction to SIMSSA (single interface for music score searching and analysis) I Fujinaga, A Hankinson, JE Cumming Proceedings of the 1st international workshop on digital libraries for …, 2014 | 29 | 2014 |
| Gluck's Iphigenia Operas: Sources and Strategies JE Cumming, T Bauman | 27 | 1995 |
| Renaissance Improvisation and Musicology JE Cumming Music Theory Online 19 (2), 2013 | 22 | 2013 |
| Composing Imitative Counterpoint around a Cantus Firmus: Two Motets by Heinrich Isaac JE Cumming The Journal of Musicology 28 (3), 231-288, 2011 | 19 | 2011 |
| From variety to repetition: The birth of imitative polyphony J Cumming Yearbook of the Alamire Foundation 6, 21-44, 2008 | 18 | 2008 |
| Music for the Doge in early renaissance Venice JE Cumming Speculum 67 (2), 324-364, 1992 | 18 | 1992 |
| The VIS Framework: Analyzing Counterpoint in Large Datasets. C Antila, J Cumming ISMIR, 71-76, 2014 | 17 | 2014 |
| 12 The origins of pervasive imitation JE Cumming, P Schubert The Cambridge History of Fifteenth-Century Music, 2015 | 15 | 2015 |
| “In the Church and in the Chapel” Music and Devotional Spaces in the Florentine Church of Santissima Annunziata G Zanovello Journal of the American Musicological Society 67 (2), 379-428, 2014 | 13 | 2014 |
| JSYMBOLIC 2.2: Extracting Features from Symbolic Music for use in Musicological and MIR Research. C McKay, J Cumming, I Fujinaga ISMIR, 348-354, 2018 | 11 | 2018 |
| Text Setting and Imitative Technique in Petrucci’s First Five Motet Prints JE Cumming The Motet around 1500: On the Relationship of Imitation and Text Treatment …, 2012 | 11 | 2012 |
| Concord out of discord: Occasional motets of the early quattrocento. JE Cumming | 11 | 1989 |
| The Goddess Fortuna Revisited JE Cumming Current Musicology, 7, 1980 | 10 | 1980 |
| Another lesson from Lassus: using computers to analyse counterpoint P Schubert, J Cumming Early Music 43 (4), 577-586, 2015 | 8 | 2015 |
| Methodologies for Creating Symbolic Corpora of Western Music Before 1600. J Cumming, C McKay, J Stuchbery, I Fujinaga ISMIR, 491-498, 2018 | 6 | 2018 |
| From Chapel Choirbook to Print Partbook and Back Again JE Cumming From Chapel Choirbook to Print Partbook and Back Again, 373-403, 2007 | 6 | 2007 |
| Using statistical feature extraction to distinguish the styles of different composers C McKay, T Tenaglia, J Cumming, I Fujinaga 45th Medieval and Renaissance Music Conf, 2017 | 5 | 2017 |
| Text and motif c.1500: a new approach to text underlay P Schubert, JE Cumming Early Music 40 (1), 3-14, 2012 | 5 | 2012 |
| The Aesthetics of the Medieval Motet and Cantilena JE Cumming Historical Performance 7, 71-83, 1994 | 5 | 1994 |
Ichiro FujinagaAssociate Professor, Music Technology Area, Schulich School of Music, McGill UniversityVerified email at mcgill.ca
