Miriam A. Kolar
Miriam A. Kolar
Adjunct Professor, Center for Computer Research in Music and Acoustics (CCRMA), Stanford University
Verified email at - Homepage
Cited by
Cited by
Estimating room impulse responses from recorded balloon pops
JS Abel, NJ Bryan, PP Huang, M Kolar, BV Pentcheva
Audio Engineering Society Convention 129, 2010
On the Acoustics of the Underground Galleries of Ancient Chavın de Huántar, Peru
JS Abel, JW Rick, P Huang, MA Kolar, JO Smith, JM Chowning
Invited paper Acoustics 8, 2008
Sensing sonically at Andean Formative Chavín de Huántar, Perú
MA Kolar
Time and Mind 10 (1), 39-59, 2017
Ancient Pututus Contextualized: Integrative Archaeoacoustics at Chavín de Huántar, Peru
M Kolar, JW Rick, PR Cook, JS Abel
Flower World - Music Archeology of The Americas / Mundo Florido …, 2012
Archaeoacoustics: Re-Sounding Material Culture
MA Kolar
Acoustics Today 14 (4), 28-37, 2018
Acoustic analysis of the Chavín pututus (Strombus galeatus marine shell trumpets).
PR Cook, JS Abel, MA Kolar, P Huang, J Huopaniemi, JW Rick, C Chafe, ...
Journal of the Acoustical Society of America 128 (4), 2359, 2010
The Huánuco Pampa acoustical field survey: an efficient, comparative archaeoacoustical method for studying sonic communication dynamics
MA Kolar, RA Covey, JLC Coronel
Heritage Science 6 (1), 1-25, 2018
Archaeological Psychoacoustics at Chavín de Huántar, Perú
MA Kolar
Stanford University, 2013
A Computational Acoustic Model of the Coupled Interior Architecture of Ancient Chavín
RE Collecchia, MA Kolar, JS Abel
Audio Engineering Society Convention 133, 2012
Impulse response measurements in the presence of clock drift
JS Abel, NJ Bryan, MA Kolar
Audio Engineering Society Convention 129, 2010
Conch Calls into the Anthropocene: Pututus as Instruments of Human-Environmental Relations at Monumental Chavín
MA Kolar
Yale Journal of Music and Religion 5 (2), 22-63, 2019
Acoustics, Architecture, and Instruments in Ancient Chavín de Huántar, Perú: An Integrative, Anthropological Approach to Archaeoacoustics and Music Archaeology
M Kolar
Jiménez, Raquel; Till, Rupert; Howell, Mark (Eds.) Music & Ritual: Bridging …, 2013
A configurable microphone array with acoustically transparent omnidirectional elements
JS Abel, NJ Bryan, T Skare, M Kolar, P Huang, D Mostowfi, JO Smith III
Audio Engineering Society Convention 127, 2009
A modular computational acoustic model of ancient Chavín de Huántar, Perú.
MA Kolar, JS Abel, P Huang, JW Rick, JO Smith III, C Chafe
The Journal of the Acoustical Society of America 128 (4), 2329-2329, 2010
Pututus, resonance and beats: Acoustic wave interference effects at Ancient Chavín de Huántar, Perú
MA Kolar
The Journal of the Acoustical Society of America 136 (4), 2270-2270, 2014
Tuned to the Senses: An Archaeoacoustic Perspective on Ancient Chavín
M Kolar
THE APPENDIX: a quarterly journal of experimental and narrative history 1 (3), 2013
Preserving Human Perspectives in Cultural Heritage Acoustics: Distance Cues and Proxemics in Aural Heritage Fieldwork
MA Kolar, D Ko, S Kim
Acoustics 3 (1), 156-176, 2021
Archaeoacoustics Fieldwork for Aural Heritage Conservation: Collaborative Distributed Sound-Sensing at Chavín de Huántar, Perú
MA Kolar, A Goh, E Gálvez-Arango, B Morris, A Romano, S Turley, ...
Change Over Time 9 (2), 164-191, 2019
Perceptual evaluation of a new, portable three-dimensional recording technique: "W-Ambisonics"
X Lu, S Kim, M Kolar, D Ko
Audio Engineering Society Convention 151, 2021
Acoustics in Music Archaeology: Re-souding the Marsoulas conch and its cave.
MA Kolar, C Fritz, G Tosello
Acoustics Today 18 (2), 52-61, 2022
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