What's that sound?: an introduction to rock and its history JR Covach, A Flory WW Norton & Company, 2006 | 222 | 2006 |
Understanding rock: Essays in musical analysis JR Covach, GMD Boone Oxford University Press, USA, 1997 | 215 | 1997 |
Form in rock music J Covach Engaging music: Essays in music analysis, 65-76, 2005 | 210 | 2005 |
Progressive Rock,‘Close to the Edge,’and the Boundaries of Style J Covach Understanding rock: Essays in musical analysis, 3-31, 1997 | 165 | 1997 |
Popular music, unpopular musicology J Covach Rethinking music, 452-470, 1999 | 95 | 1999 |
We won’t get fooled again: rock music and musical analysis J Covach Theory Only 13 (4), 119-141, 1997 | 63 | 1997 |
From ‘craft’to ‘art’: Formal structure in the music of the Beatles J Covach Reading the Beatles: Cultural Studies, Literary Criticism, and the Fab Four …, 2006 | 59 | 2006 |
The Sources of Schoenberg's" Aesthetic Theology" J Covach Nineteenth-Century Music, 252-262, 1996 | 53 | 1996 |
Vocal authority and listener engagement: Musical and narrative expressive strategies in the songs of female pop-rock artists, 1993–95 L Burns Sounding out pop: Analytical essays in popular music, 154-92, 2010 | 52 | 2010 |
The Rutles and the Use of Specific Models in Musical Satire JR Covach Indiana Theory Review 11, 119-144, 1990 | 52 | 1990 |
Schoenberg and the Occult: Some Reflections on the Musical Idea JR Covach Theory and Practice 17, 103-118, 1992 | 49 | 1992 |
Pangs of history in late 1970s new-wave rock J Covach Analyzing popular music, 173-195, 2003 | 47 | 2003 |
The hippie aesthetic: cultural positioning and musical ambition in early progressive rock J Covach Rock Music, 65-75, 2017 | 44 | 2017 |
Twelve-tone theory J Covach The Cambridge history of Western music theory, 603-627, 2002 | 43 | 2002 |
Stylistic Competencies, Musical Humor, and ‘This is Spinal Tap’ J Covach Concert Music, Rock and Jazz Since 1945: Essays and Analytical Studies, 402-424, 1995 | 36 | 1995 |
Sounding out pop: analytical essays in popular music MS Spicer, JR Covach University of Michigan Press, 2010 | 34 | 2010 |
Jazz-rock? Rock-jazz? Stylistic crossover in late-1970s American progressive rock J Covach Expression in Pop-Rock Music: Critical and Analytical Essays,, 93-110, 2000 | 32 | 2000 |
Echolyn and American progressive rock J Covach Contemporary Music Review 18 (4), 13-61, 2000 | 30 | 2000 |
What’s that sound J Covach, A Flory An introduction to rock and its history 2, 2009 | 27 | 2009 |
Schoenberg’s ‘Poetics of Music,’the Twelve-Tone Method, and the Musical Idea J Covach Schoenberg and Words: The Modernist Years, 309-46, 2000 | 27 | 2000 |