Davide Rocchesso

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Federico AvanziniFull Professor, University of MilanoVerified email at di.unimi.it
Federico FontanaAssociate Professor, University of Udine - ItalyVerified email at uniud.it
Stefano Delle MonacheDelft University of Technology, Faculty of Industrial Design EngineeringVerified email at tudelft.nl
Giovanni De PoliFull Professor of Computer Engineering, University of PadovaVerified email at dei.unipd.it
Guillaume LemaitreInstitut de Recherche et de Création Acoustique MusiqueVerified email at ircam.fr
Stefano PapettiZurich University of the ArtsVerified email at zhdk.ch
carlo drioliUniversità di UdineVerified email at uniud.it
Xavier SerraDepartment of Information and Communication Technologies, Universitat Pompeu Fabra (UPF), BarcelonaVerified email at upf.edu
Roberto BresinProfessor of Media Technology, KTH Royal Institute of technologyVerified email at kth.se
Julius SmithProfessor of Music, Stanford UniversityVerified email at stanford.edu
Frank PollickProfessor of Psychology, University of GlasgowVerified email at glasgow.ac.uk
Sofia DahlAssociate Professor in Music perception and Cognition, Aalborg UniversityVerified email at create.aau.dk
Patrick SusiniSTMS (Ircam, CNRS, UPMC)Verified email at ircam.fr
Nicola BernardiniChair of Electronic Music - Conservatorio "C.Pollini" PadovaVerified email at conservatoriopollini.it
Davide Andrea MauroMarshall UniversityVerified email at marshall.edu
Stefano BaldanResearch Assistant, IUAV University of VeniceVerified email at iuav.it
Karmen FraninovicZurich University of the ArtsVerified email at zhdk.ch
Amalia de GötzenAssociate professor Aalborg University CopenhagenVerified email at create.aau.dk
Aina PuceEleanor Cox Riggs Professor, Psychological and Brain Sciences, Indiana UniversityVerified email at indiana.edu
Cumhur ErkutAssociate Professor, Aalborg University CopenhagenVerified email at create.aau.dk

Davide Rocchesso

Full Professor. Università degli Studi di Palermo

Verified email at unipa.it - Homepage

Sound and Music Computing Interaction Design Sonic Interaction Design Sound Synthesis


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DAFX-Digital audio effects U Zölzer, X Amatriain, D Arfib, J Bonada, G De Poli, P Dutilleux, ... John Wiley & Sons, 2002	1166	2002
Sounding objects D Rocchesso, R Bresin, M Fernstrom IEEE MultiMedia 10 (2), 42-52, 2003	304	2003
Circulant and elliptic feedback delay networks for artificial reverberation D Rocchesso, JO Smith IEEE Transactions on Speech and Audio Processing 5 (1), 51-63, 1997	157	1997
Continuous sonic feedback from a rolling ball M Rath, D Rocchesso IEEE MultiMedia 12 (2), 60-69, 2005	152	2005
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems G Borin, G De Poli, D Rocchesso IEEE Transactions on Speech and Audio Processing 8 (5), 597-605, 2000	143	2000
Elimination of delay-free loops in discrete-time models of nonlinear acoustic systems G Borin, G De Poli, D Rocchesso IEEE Transactions on Speech and Audio Processing 8 (5), 597-605, 2000	143	2000
Multisensory integration of drumming actions: musical expertise affects perceived audiovisual asynchrony K Petrini, S Dahl, D Rocchesso, CH Waadeland, F Avanzini, A Puce, ... Experimental brain research 198 (2-3), 339, 2009	109	2009
Physical modeling of membranes for percussion instruments F Fontana, D Rocchesso Acta Acustica united with Acustica 84 (3), 529-542, 1998	98	1998
Modeling collision sounds: Non-linear contact force F Avanzini, D Rocchesso Proc. COST-G6 Conf. Digital Audio Effects (DAFx-01), 61-66, 2001	89	2001
Interactive simulation of rigid body interaction with friction-induced sound generation F Avanzini, S Serafin, D Rocchesso IEEE transactions on speech and audio processing 13 (5), 1073-1081, 2005	87	2005
Signal-theoretic characterization of waveguide mesh geometries for models of two-dimensional wave propagation in elastic media F Fontana, D Rocchesso IEEE Transactions on Speech and Audio Processing 9 (2), 152-161, 2001	80	2001
Controlling material properties in physical models of sounding objects F Avanzini, D Rocchesso ICMC, 2001	79	2001
Action expertise reduces brain activity for audiovisual matching actions: an fMRI study with expert drummers K Petrini, FE Pollick, S Dahl, P McAleer, L McKay, D Rocchesso, ... Neuroimage 56 (3), 1480-1492, 2011	76	2011
A toolkit for explorations in sonic interaction design SD Monache, P Polotti, D Rocchesso Proceedings of the 5th audio mostly conference: a conference on interaction …, 2010	75	2010
Sonic interaction design: sound, information and experience D Rocchesso, S Serafin, F Behrendt, N Bernardini, R Bresin, G Eckel, ... CHI'08 Extended Abstracts on Human Factors in Computing Systems, 3969-3972, 2008	73	2008
On the effectiveness of vocal imitations and verbal descriptions of sounds G Lemaitre, D Rocchesso The Journal of the Acoustical Society of America 135 (2), 862-873, 2014	70	2014
A fast Mellin and scale transform A De Sena, D Rocchesso EURASIP Journal on Advances in Signal Processing 2007, 1-9, 2007	65	2007
Physically informed signal processing methods for piano sound synthesis: a research overview B Bank, F Avanzini, G Borin, G De Poli, F Fontana, D Rocchesso EURASIP Journal on Advances in Signal Processing 2003 (10), 1-12, 2003	62	2003
Sound texture modeling: A survey G Strobl, G Eckel, D Rocchesso Sound Music Computing, 2006	61	2006
Designing continuous sonic interaction D Rocchesso, P Polotti, S Delle Monache International Journal of Design 3 (3), 2009	60	2009

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