Mastery through imitation: A preliminary study L Tânia, A Williamon, M Zicari, H Eiholzer Musicae Scientiae 9 (1), 75-110, 2005 | 55 | 2005 |
The intentions of piano touch J MacRitchie, M Zicari of the 12th International Conference on Music Perception and Cognition …, 2012 | 13 | 2012 |
Expressive Tempo Modifications in Adelina Patti's Recordings: An Integrated Approach M Zicari Empirical Musicology Review 12 (1-2), 42-56, 2017 | 9 | 2017 |
Verdi in Victorian London M Zicari Open Book Publishers, 2016 | 9 | 2016 |
Giuseppe Verdi in Victorian London M Zicari Studia Universitatis Babes-Bolyai-Musica 57 (2), 153-162, 2012 | 5 | 2012 |
Trumpet mouthpiece manufacturing and tone quality M Zicari, J MacRitchie, L Ghirlanda, A Vanchieri, D Montorfano, ... The Journal of the Acoustical Society of America 134 (5), 3872-3886, 2013 | 4 | 2013 |
Mastery through imitation T Lisboa, A Williamon, M Zicari, H Eiholzer ESCOM 10th Anniversary Conference on “Musical Creativity”, Liege, Belgium. CDrom, 2002 | 4 | 2002 |
Identifying challenges and opportunities for student composer and performer peer learning through newly-composed classical piano scores J MacRitchie, M Zicari, D Blom British Journal of Music Education 35 (2), 153-175, 2018 | 3 | 2018 |
1. Music Journalism in Early Victorian London M Zicari Open Book Publishers, 2016 | 3 | 2016 |
Verdi and Wagner in Early Victorian London: The Viewpoint of The Musical World M Zicari Studia Universitatis Babes-Bolyai-Musica 59 (1), 51-64, 2014 | 3 | 2014 |
Nothing but the commonest tunes: the early reception of Verdi’s operas in London, 1845-1848 Z Massimo Dissonanz 114, 44-49, 2011 | 3 | 2011 |
The land of song: la" Terra del belcanto" nella stampa londinese di fine Ottocento: una raccolta di testi critici tra 1890 e 1900 M Zicari Peter Lang, 2008 | 3 | 2008 |
The Voice of the Century: The Culture of Italian Bel Canto in Luisa Tetrazzini’s Recorded Interpretations M Zicari Open Book Publishers, 2022 | 2 | 2022 |
Expressive Tempo Modifications in Early 20th -Century Recorded Performances of Operatic Arias M Zicari Music and Practice, 2-26, 2019 | 2 | 2019 |
La prima recezione di Giuseppe Verdi a Londra: Henry Fothergill Chorley e l'Athenaeum M Zicari Schweizer Jahrbuch für Musikwissenschaft 31, 27-60, 2011 | 2 | 2011 |
Cultural stereotypes and the reception of Verdi’s operas in Victorian London M Zicari Journal of Modern Italian Studies 26 (1), 27-40, 2021 | 1 | 2021 |
Un caso di moralità. La Traviata nella Londra Vittoriana (1856) M Zicari Musica/Realtà 103, 141-157, 2014 | 1 | 2014 |
Drammaturgia verista in Ruggero Leoncavallo M Zicari Musica e storia 12 (3), 461-488, 2004 | 1 | 2004 |
Sequenza III di Luciano Berio: prassi esecutiva e autorità del compositore Un’intervista di Massimo Zicari a Luisa Castellani M Zicari, L Castellani Quaderni del Conservatorio della Svizzera Italiana 2, 2023 | | 2023 |
5. Verdi’s Style: The End of Bel Canto? M Zicari Open Book Publishers, 2022 | | 2022 |