Follow
Andrew Whelan
Andrew Whelan
Verified email at uow.edu.au - Homepage
Title
Cited by
Cited by
Year
Zombies in the academy: Living death in higher education
A Whelan, R Walker, C Moore
Intellect, 2013
962013
Sick bunnies and pocket dumps:“Not-selfies” and the genre of self-representation
K Tiidenberg, A Whelan
Popular Communication 15 (2), 141-153, 2017
562017
Academic critique of neoliberal academia
AM Whelan
522015
“Vaporwave is (not) a critique of capitalism”: Genre work in an online music scene
R Nowak, A Whelan
Open Cultural Studies 2 (1), 451-462, 2018
402018
'do u produce?': Subcultural Capital and Amateur Musicianship in Peer-to-Peer Networks
AM Whelan
402006
Networked music cultures: Contemporary approaches, emerging issues
R Nowak, A Whelan
Springer, 2016
262016
Breakcore: Identity and interaction on peer-to-peer
A Whelan
Cambridge Scholars Publishing, 2009
262009
“Ask for more time”: big data chronopolitics in the Australian welfare bureaucracy
A Whelan
Critical Sociology 46 (6), 867-880, 2020
252020
‘Ethical’artificial intelligence in the welfare state: Discourse and discrepancy in Australian social services
A James, A Whelan
Critical Social Policy 42 (1), 22-42, 2022
222022
Labeling as a social practice in online consumption communities
A Dinhopl, U Gretzel, A Whelan
Psychology & Marketing 32 (3), 240-249, 2015
182015
Ethics are admin: Australian human research ethics review forms as (un) ethical actors
A Whelan
Social Media+ Society 4 (2), 2056305118768815, 2018
172018
Even with cruise control you still have to steer: defining trolling to get things done
AM Whelan
172013
“Not like that, not for that, not by them”: social media affordances of critique
K Tiidenberg, A Whelan
Communication and Critical/Cultural Studies 16 (2), 83-102, 2019
152019
Invasion of the aca-zombies
J Gora, A Whelan
The Australian Higher Education Supplement 3, 2010
142010
On the 15-year anniversary of Napster-Digital music as boundary object
R Nowak, A Whelan
First Monday, 2014
122014
“Do You Have a Moment to Talk About Vaporwave?” Technology, Memory, and Critique in the Writing on an Online Music Scene
A Whelan
Popular Music, Technology, and the Changing Media Ecosystem: From Cassettes …, 2020
102020
The digital music boundary object
R Nowak, A Whelan
Networked Music Cultures: Contemporary Approaches, Emerging Issues, 113-131, 2016
102016
The" Amen" Breakbeat as Fratriarchal Totem
AM Whelan
102009
Free music and trash culture: The reconfiguration of musical value online
AM Whelan
82010
‘Re-mediating’the ruptures of migration: the use of internet and mobile phones in migrant women’s organizations in Ireland
CD Tona, A Whelan
82009
The system can't perform the operation now. Try again later.
Articles 1–20