| Knitting the in_visible: data-driven craftivism as feminist resistance A Moreshead, A Salter Journal of Gender Studies 32 (8), 875-886, 2023 | 1 | 2023 |
| Craftivism in the time of COVID: resisting toxic masculinity through feminized labor A Moreshead, A Salter Feminist Media Studies 23 (6), 3014-3030, 2023 | 1 | 2023 |
| 1960: When Art and Literature Confronted the Memory of World War II and Remade the Modern by Al Filreis A Moreshead MFS Modern Fiction Studies 69 (1), 176-178, 2023 | 1 | 2023 |
| Stand with the Banned: Credibility bias and the Fetishization of the" Classic" Banned Books on Etsy A Moreshead, A Salter First Monday, 2023 | | 2023 |
| A Zoom of One’s Own? Crafting Feminist Resistance through Electronic Literature during COVID-19 A Salter, A Moreshead 2023 MLA Annual Convention, 2023 | | 2023 |
| The Women's Wood Engraving Revival and its Global Impact (1912-1960): Gwen Raverat, Clare Leighton, and Joan Hassall A Moreshead | | 2023 |
| Digital Humanities and/as Media Studies A MORESHEAD, A SALTER The Bloomsbury Handbook to the Digital Humanities, 93, 2022 | | 2022 |
| Gender and Para-Academic Labor: The Invisible Translators of Old English and their Legacy in Digital Humanities A Moreshead Nineteenth-Century Gender Studies 18 (2), 2022 | | 2022 |
| Credibility Bookcases and “Bookiness”: The Gendering of Embodied Texts A Moreshead, A Salter | | 2022 |
| STITCHING THE CURVE: PANDEMIC CRAFT AND FEMINIST DATA VISUALIZATION A Moreshead, L Rouse, A Salter AoIR Selected Papers of Internet Research, 2021 | | 2021 |
