| Nordic Nationalisms: Black Metal Takes Norway’s Everyday Racisms to the ‘Extreme’ LW Taylor The Metal Void: First Gatherings, 161-173, 2010 | 37 | 2010 |
| Images of human-wrought despair and destruction: Social critique in British apocalyptic and dystopian metal LW Taylor Heavy metal music in Britain, 89-110, 2016 | 30 | 2016 |
| 14 Popular Songs and Ordinary Violence–Exposing Basic Human Brutality in the Films of Rob Zombie LW Taylor Terror Tracks: Music, Sound and Horror Cinema, 229, 2009 | 9 | 2009 |
| Metal music as critical dystopia: Humans, technology and the future in 1990s science fiction metal L Taylor Catharines, ON: Brock University, 2006 | 9 | 2006 |
| Speculative matter: Generic affinities, posthumanisms and science-fictional imaginings L Wiebe | 3 | 2013 |
| Science Fiction and Metal Music: The Dystopian Visions of Voivod and Fear Factory LW Taylor The Everyday Fantastic: Essays on Science Fiction and Human Being., 87-101, 2008 | 3* | 2008 |
| Time's Arrow as Postmodern Apocalypse: Temporal Ruptures, Perpetual Crisis and the Cultural Imagination LW Taylor eTopia, 2009 | 1 | 2009 |
| Nordic Nationalisms: Black Metal Takes Norway’s Everyday Racisms to the ‘Extreme’ LW Taylor Reflections in the Metal Void, 185-197, 2012 | | 2012 |
| Witches, Elves, and Bioengineers: Magic and Science in Kim Harrison’s The Hollows L Wiebe | | 2012 |
| Where is the Local in Local Radio?: Examining the Changing Shape of Radio Programming in St. Catharines LW TAYLOR Covering Niagara: Studies in Local Popular Culture, 117-142, 2010 | | 2010 |
