| Putting twitter to the test: Assessing outcomes for student collaboration, engagement and success R Junco, CM Elavsky, G Heiberger British Journal of Educational Technology 44 (2), 273-287, 2013 | 611 | 2013 |
| When talking less is more: exploring outcomes of Twitter usage in the large‐lecture hall CM Elavsky, C Mislan, S Elavsky Learning, Media and Technology 36 (3), 215-233, 2011 | 200 | 2011 |
| Trust in alternative and professional media: The case of the youth news audiences in three European countries J Macek, A Macková, V Pavlopoulos, V Kalmus, CM Elavsky, J Šerek Youth Citizenship and the European Union, 104-118, 2020 | 22 | 2020 |
| United as ONE: Live 8 and the politics of the global music media spectacle CM Elavsky Journal of Popular Music Studies 21 (4), 384-410, 2009 | 22 | 2009 |
| Musically mapped: Czech popular music as a second ‘world sound’ CM Elavsky European Journal of Cultural Studies 14 (1), 3-24, 2011 | 21 | 2011 |
| You can’t go back now: Incorporating “disruptive” technologies in the large lecture hall CM Elavsky Social media: Usage and impact, 75-91, 2012 | 12 | 2012 |
| Activating Ego Engagement through Social Media Integration in the Large Lecture Hall. CM Elavsky New Directions for Teaching & Learning 2013 (135), 2013 | 8 | 2013 |
| ‘And the Children of Israel Sang this Song’: The Role of Israeli Law and Policy in the Advancement of Israeli Song AM Schejter, CM Elavsky Min-Ad: Israel Studies in Musicology Online 7 (2), 131-153, 2008 | 8 | 2008 |
| ‘And the Children of Israel Sang this Song’: The Role of Israeli Law and Policy in the Advancement of Israeli Song AM Schejter, CM Elavsky Min-Ad: Israel Studies in Musicology Online 7 (2), 131-153, 2008 | 8 | 2008 |
| How you gonna save y/our soul? Tempering corporate identity in a global age CM Elavsky Cultural Studies? Critical Methodologies 10 (3), 175-186, 2010 | 7 | 2010 |
| Producing “local” repertoire: Czech identity, pop music, and the global music industry CM Elavsky University of Illinois at Urbana-Champaign, 2005 | 7 | 2005 |
| Because “We Are...” CM Elavsky Cultural Studies? Critical Methodologies 12 (4), 297-300, 2012 | 3 | 2012 |
| Microphone Czech, Keepin'It Real: Politics of Creative Strategy in Cross-Cultural Music Production C Kumanyika, CM Elavsky Popular Communication 11 (3), 257-271, 2013 | 1 | 2013 |
| Contesting identities, contesting nation C McCarthy, A Durham, CM Elavsky, A Filmer, M Giardina, S Harewood, ... Policy Futures in Education 7 (2), 138-144, 2009 | 1 | 2009 |
| Culture industries CM Elavsky The International Encyclopedia of Communication, 2008 | 1 | 2008 |
| Music Industry CM Elavsky The International Encyclopedia of Communication, 2008 | 1 | 2008 |
| Beyond stealing: The determinants/motivations of Czech audiences to pay for audiovisual content I Jansová, A Macková, CM Elavsky, J Macek Critical Studies in Television 18 (4), 385-404, 2023 | | 2023 |
| The Place of Convergent Audiences in the Small Industry Market I Jansová, CM Elavsky Television & New Media 24 (1), 19-36, 2023 | | 2023 |
| When Things Get Real:(Re) Considering the Challenges to Cultural Industries Research CM Elavsky, I Jansová Cultural Studies↔ Critical Methodologies 21 (3), 225-236, 2021 | | 2021 |
| The Sounds of Capitalism: Advertising, Music, and the Conquest of Culture CM Elavsky Ethnomusicology 58 (3), 526-529, 2014 | | 2014 |
