Mark Reybrouck
Mark Reybrouck
KU Leuven, Belgium and Ghent University, Belgium
Verified email at arts.kuleuven.be - Homepage
Title
Cited by
Cited by
Year
Biological roots of musical epistemology: functional cycles, umwelt, and enactive listening
M Reybrouck
832001
Neuroplasticity beyond sounds: neural adaptations following long-term musical aesthetic experiences
M Reybrouck, E Brattico
Brain Sciences 5 (1), 69-91, 2015
792015
A biosemiotic and ecological approach to music cognition: event perception between auditory listening and cognitive economy
M Reybrouck
Axiomathes 15 (2), 229-266, 2005
772005
Musical sense-making and the concept of affordance: an ecosemiotic and experiential approach
M Reybrouck
Biosemiotics 5 (3), 391-409, 2012
662012
Body, mind and music: musical semantics between experiential cognition and cognitive economy
M Reybrouck
Trans. Revista transcultural de música, 0, 2005
622005
Musical imagery between sensory processing and ideomotor simulation
M Reybrouck
Musical imagery, 117-136, 2001
592001
Gestalt concepts and music: limitations and possibilities
M Reybrouck
Joint International Conference on Cognitive and Systematic Musicology, 57-69, 1996
511996
Enacting musical emotions. Sense-making, dynamic systems, and the embodied mind
A Schiavio, D van der Schyff, J Cespedes-Guevara, M Reybrouck
Phenomenology and the Cognitive Sciences 16 (5), 785-809, 2017
502017
Music cognition, semiotics and the experience of time: Ontosemantical and epistemological claims
M Reybrouck
Journal of New Music Research 33 (4), 411-428, 2004
502004
Using graphical notations to assess children’s experiencing of simple and complex musical fragments
L Verschaffel, M Reybrouck, M Janssens, W Van Dooren
Psychology of Music 38 (3), 259-284, 2010
352010
Music as environment: An ecological and biosemiotic approach
M Reybrouck
Behavioral Sciences 5 (1), 1-26, 2015
342015
Music and its inductive power: a psychobiological and evolutionary approach to musical emotions
M Reybrouck, T Eerola
Frontiers in Psychology 8, 494, 2017
332017
Musical creativity between symbolic modelling and perceptual constraints: The role of adaptive behaviour and epistemic autonomy
MM Reybrouck
Musical Creativity, 58-76, 2006
312006
Music cognition and the bodily approach: Musical instruments as tools for musical semantics
M Reybrouck
Contemporary Music Review 25 (1-2), 59-68, 2006
262006
Music cognition and real-time listening: denotation, cue abstraction, route description and cognitive maps
M Reybrouck
Musicae scientiae 14 (2_suppl), 187-202, 2010
222010
The musical sign between sound and meaning
M Reybrouck
Music and signs, semiotic and cognitive studies in music, 39-58, 1999
181999
Real-time listening and the act of mental pointing
M Reybrouck
Music, Mind, and Language 2, 1-17, 2015
152015
Brain connectivity networks and the aesthetic experience of music
M Reybrouck, P Vuust, E Brattico
Brain sciences 8 (6), 107, 2018
142018
Similarity perception as a cognitive tool for musical sense-making: deictic and ecological claims
M Reybrouck
Musicae Scientiae 13 (1_suppl), 99-118, 2009
142009
From sound to music: an evolutionary approach to musical semantics
M Reybrouck
Biosemiotics 6 (3), 585-606, 2013
132013
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Articles 1–20