| Beyond skeuomorphism: The evolution of music production software user interface metaphors A Bell, E Hein, J Ratcliffe Journal on the Art of Record Production 9, 2015 | 58 | 2015 |
| Learning, education and games. Volume one: Curricular and design considerations K Schrier Carnegie Mellon University, 2014 | 52 | 2014 |
| Music games in education E Hein Learning, Education and Games, 93, 2014 | 27 | 2014 |
| Electronic music school: A contemporary approach to teaching musical creativity W Kuhn, E Hein Oxford University Press, 2021 | 22 | 2021 |
| Scales and Emotions” from the Ethan Hein Blog E Hein Posted Mar 2, 31, 2010 | 17 | 2010 |
| The groove pizza E Hein, S Srinivasan New directions in music and human-computer interaction, 71-94, 2019 | 11 | 2019 |
| Chris Thile, Kendrick Lamar, and the problem of the white rap cover E Hein Visions of Research in Music Education 35 (1), 2020 | 9 | 2020 |
| Designing the Drum Loop: A constructivist iOS rhythm tutorial system for beginners E Hein New York University, 2013 | 9 | 2013 |
| The promise and pitfalls of the digital studio E Hein The Oxford handbook of technology and music education, 233, 2017 | 8 | 2017 |
| Playing (in) the digital studio E Hein The Oxford Handbook of Technology and Music Education, 383-398, 2017 | 6 | 2017 |
| Teaching whiteness in music class E Hein The Ethan Hein Blog, 2018 | 5 | 2018 |
| Cultural hegemony in music education E Hein The Ethan Hein Blog, 2016 | 5 | 2016 |
| Ableton live 11 E Hein Journal of the American Musicological Society 74 (1), 214-225, 2021 | 4 | 2021 |
| The politics is in the drums: Producing and composing in the music classroom E Hein Journal of Popular Music Education 7 (1), 7-24, 2023 | 3 | 2023 |
| Reharmonization and recontextualization in Kanye West’s ‘Famous’ E Hein Journal of Popular Music Education 2 (1-2), 101-114, 2018 | 3 | 2018 |
| Visualizing music E Hein The Ethan Hein Blog, 2011 | 3 | 2011 |
| The Ethan Hein Blog: Visualizaton rhythm. Viitattu 22.4. 2020 E Hein | 2 | 2020 |
| The Disquiet Junto as an Online Community of Practice E Hein The Oxford Handbook of Social Media and Music Learning, 2020 | 2 | 2020 |
| Why hip-hop is interesting J Van Balen, E Hein, D Brown Tutorials of the International Society for Music Information Retrieval …, 2016 | 2 | 2016 |
| What distinctive techniques did Phil Spector use to produce recorded music E Hein How are these techniques different from production techniques before him, 2014 | 2 | 2014 |
adam patrick bellWestern UniversityVerified email at uwo.ca
