A principled approach to developing new languages for live coding S Aaron, AF Blackwell, R Hoadley, T Regan Proceedings of New Interfaces for Musical Expression 2011, 381-386, 2011 | 36 | 2011 |
Calder’s violin: Real-time notation and performance through musically expressive algorithms R Hoadley ICMC, 2012 | 20 | 2012 |
Touching sound: Vulnerability and synchronicity S Aaron, P Barnard, I Cross, SP Gill, T Himberg, R Hoadley, H Odell-Miller, ... Proceedings of the CHI2013 workshop on designing for and with vulnerable people, 2013 | 5 | 2013 |
December Variations (on a Theme by Earle Brown) R Hoadley ICMC, 2014 | 4 | 2014 |
Implementation and development of interfaces for music performance through analysis of improvised dance movements R Hoadley Audio Engineering Society Convention 128, 2010 | 4 | 2010 |
The Fluxus Tree R Hoadley | 3* | 2012 |
Form and function: examples of music interface design R Hoadley Proceedings of the 24th BCS Interaction Specialist Group Conference, 479-483, 2010 | 3 | 2010 |
Implementation and development of sculptural interfaces for digital performance of music through embodied expression R Hoadley Proceedings of the 2010 international conference on Electronic Visualisation …, 2010 | 3 | 2010 |
Dynamic music notation in Quantum Canticorum R Hoadley Goldsmiths University of London, Live Algorithms for Music Symposium, 2014 | 2 | 2014 |
Sculpture as Music Interface. R Hoadley ICMC, 2011 | 2 | 2011 |
Live coding, live notation, live performance R Hoadley Proceedings of the conference on Electronic Visualisation and the Arts, 34-41, 2016 | 1 | 2016 |
Making People Move: Dynamic musical notations. R Hoadley ICMC, 2014 | 1 | 2014 |
Calder's violin R Hoadley SuperCollider Symposium 2012, 2011 | | 2011 |
Triggered R Hoadley, C Frances-Hoad, T Hall, J Turner | | 2011 |
The Metapiano: composing and improvising with sculpture R Hoadley Proceedings of the International Symposium of Electronic Arts, 2011 | | 2011 |
Composition R Hoadley Durham University, 1993 | | 1993 |