| The new face of political cinema: Commitment in French film since 1995 M O’Shaughnessy Berghahn Books, 2008 | 144 | 2008 |
| Jean Renoir M O’Shaughnessy Jean Renoir, 2019 | 94 | 2019 |
| Post-1995 French cinema: return of the social, return of the political? M O'Shaughnessy Modern & Contemporary France 11 (2), 189-203, 2003 | 32 | 2003 |
| French film and work: the work done by work-centered films M O'Shaughnessy Framework: The Journal of Cinema and Media 53 (1), 155-171, 2012 | 24 | 2012 |
| Eloquent fragments: French fiction film and globalization M O'Shaughnessy French Politics, Culture & Society 23 (3), 75-88, 2005 | 22 | 2005 |
| La grande illusion M O'shaughnessy La Grande Illusion, 1-128, 2009 | 18 | 2009 |
| Ethics in the ruin of politics: The Dardenne brothers M O’Shaughnessy Five directors, 60-84, 2019 | 16 | 2019 |
| Suffering in silence: bodily politics in post-1995 French film M O’Shaughnessy French cultural studies 15 (3), 219-233, 2004 | 16 | 2004 |
| French cinema and the political M O'Shaughnessy Studies in French Cinema 10 (1), 39-56, 2010 | 15 | 2010 |
| Cinéma et engagement G Hayes Cinéma et engagement, 1-350, 2005 | 15 | 2005 |
| Laurent Cantet M O’Shaughnessy Laurent Cantet, 2015 | 14 | 2015 |
| The Experience of a Maghrebi-French Filmmaker: The Case of Zaïda Ghorab-Volta M O'Shaughnessy Cineaste 33 (1), 52-53, 2007 | 13 | 2007 |
| The crisis before the crisis: reading films by Laurent Cantet and Jean-Pierre and Luc Dardenne through the lens of debt M O'Shaughnessy SubStance 43 (1), 82-95, 2014 | 12 | 2014 |
| Shooting in Deep Time: The Mise en Scène of History in Renoir's Films of the 1930s M O'Shaughnessy A Companion to Jean Renoir, 13-34, 2013 | 12 | 2013 |
| The Parisian popular as reactionary modernization M O'Shaughnessy Studies in French Cinema 1 (2), 80-88, 2001 | 12 | 2001 |
| French cinema: globalization, representation, and resistance G Hayes, M O'Shaughnessy French politics, culture & society 23 (3), 1-13, 2005 | 10 | 2005 |
| French film and the new world of work: from the iron to the glass cage M O'Shaughnessy Modern & Contemporary France 19 (4), 427-442, 2011 | 9 | 2011 |
| Pépé le Moko or the Impossibility of Being French in the 1930s M O'Shaughnessy French Cultural Studies 7 (21), 247-258, 1996 | 9 | 1996 |
| French Cinema: Counter-model, Cultural Exception, Resistances M O’Shaughnessy Neoliberalism and Global Cinema, 328-346, 2011 | 8 | 2011 |
| Poor propaganda: French colonial films of the 1930s M O’Shaughnessy Empire and Culture: The French Experience, 1830–1940, 27-40, 2004 | 8 | 2004 |
Graeme HayesReader in Political Sociology, Aston UniversityVerified email at aston.ac.uk
Graeme HayesReader in Political Sociology, Aston UniversityVerified email at aston.ac.uk