‘There Must Be a Poetry of Sound That None of Us Knows…’: Early British documentary film and the prefiguring of musique concrète G Cox Organised Sound 22 (2), 172-186, 2017 | 10 | 2017 |
A Return to the Future or Forward to the Past? G Cox Contemporary Music Review 29 (3), 251-264, 2010 | 10 | 2010 |
‘Connecting hearing to viewing and knowing to feeling’: Sound as evocation in non-fiction film with particular reference to No Escape (Cox, 2009) G Cox The Soundtrack 4 (1), 43-62, 2011 | 9 | 2011 |
CineMusic? Constructing the film score D Cooper, C Fox, I Sapiro Cambridge Scholars Publishing, 2020 | 8 | 2020 |
Soundings: Documentary film and the listening experience G Cox, J Corner University of Huddersfield Press, 2018 | 7 | 2018 |
Listen to Nice G Cox The New Soundtrack 3 (2), 89-105, 2013 | 4 | 2013 |
Largely a work of reference: a creative investigation into the use of borrowed musical materials in contemporary compositional practice GM Cox University of Huddersfield, 2007 | 2 | 2007 |
CHAPTER FIVE PLANTING SOUNDS: RE-FRAMING THE ACOUSTIC ENVIRONMENT IN TREE PEOPLE (2014), THE STORY OF THE COLNE VALLEY TREE SOCIETY G COX The Place of Poetics within Documentary Filmmaking: The Art of Fact, 62, 2023 | | 2023 |
Geoffrey Cox G Cox NEW SCIENTIST 245 (3309), 54-54, 2020 | | 2020 |
The Colour of Scotland FA Jardine, G Cox | | 2019 |
‘Shape, Form, Colour’… and Music: Abstraction, Meaning, and Nostalgia in 1960s Scottish Industrial Documentary G Cox Music and Letters 99 (3), 386-426, 2018 | | 2018 |
Centrepiece The Unwanted Sound of Everything We ThinkWe Want G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 184-200, 2018 | | 2018 |
Centrepiece Title Page G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 183-183, 2018 | | 2018 |
Introduction Biography G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 13-14, 2018 | | 2018 |
Building a sonic image of a nation: Finnishdocumentary and propaganda films in the earlydecades of sound film G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 240-252, 2018 | | 2018 |
Part 2: Foregrounding the Aesthetic: Strategies andPractices G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 83-84, 2018 | | 2018 |
A'Symphony of Britain at War'or the'Rhythmof Workaday Britain'? Len Lye's When the PieWas Opened (1941) and the musicalisation ofwarfare. G Cox, J Corner, A Berkenhoff, J Brereton, J Bulley, S Connor Soundings: Documentary film and the listening experience, 220-235, 2018 | | 2018 |
Soundings J Corner, G Cox University of Huddersfield Press, 2018 | | 2018 |
Weave me a rainbow'the March, the March of colour and pattern'music and cinematography at the service of the creative promotion of the 1960s Scottish Woollen industry G Cox Soundings: Documentary Film and the Listening Experience, 37-67, 2018 | | 2018 |
Mill Study G Cox, K Marley | | 2017 |