| Soundwalking: creating moving environmental sound narratives A McCartney Oxford Handbook of Mobile Music 2, 212-237, 2014 | 120 | 2014 |
| Soundwalking and the bodily exploration of places D Paquette, A McCartney Canadian Journal of Communication 37 (1), 135-145, 2012 | 100 | 2012 |
| Sounding Places with Hildegard Westerkamp A McCartney Electronic Music Foundation Institute, 2000 | 78* | 2000 |
| Ethical questions about working with soundscapes A McCartney Soundscape: The Journal of Acoustic Ecology 10 (1), 24-26, 2010 | 47* | 2010 |
| Soundscape works, listening, and the touch of sound A McCartney Aural cultures, 179-185, 2004 | 47 | 2004 |
| Circumscribed journeys through soundscape composition A McCartney Organised Sound 7 (1), 1-3, 2002 | 38 | 2002 |
| Inventing images: constructing and contesting gender in thinking about electroacoustic music A McCartney Leonardo Music Journal, 57-66, 1995 | 38 | 1995 |
| Gender, genre, and electroacoustic soundmaking practices A McCartney Intersections Canadian Journal of Music 26 (2), 20-48, 2006 | 36 | 2006 |
| In and out of the studio A McCartney Musicworks 90, 7-9, 2004 | 33* | 2004 |
| Creating worlds for my music to exist: How women composers of electroacoustic music make place for their voices A McCartney York University, 1994 | 28 | 1994 |
| “How am I to listen to you?”: Soundwalking, Intimacy and Improvised Listening A McCartney Negotiated Moments: Improvisation, Sound and Subjectivity, 37-54, 2016 | 27 | 2016 |
| Soundscape compositions and the subversion of electroacoustic norms A McCartney The Radio Art Companion, 14-22, 2002 | 27 | 2002 |
| Alien intimacies: hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or 'I don't like the country, the crickets make me nervous') A McCartney Organised Sound 7 (1), 45-49, 2002 | 20 | 2002 |
| "Walking, listening, speaking" A McCartney, D Paquette Ambiances en actes / Ambiances in action, 189-194, 2012 | 18* | 2012 |
| Soundwalking and improvisation A McCartney Improvisation, Community and Social Practice, 2010 | 16 | 2010 |
| Cyborg experiences: contradictions and tensions of technology, nature, and the body in Hildegard Westerkamp’s ‘Breathing room’ A McCartney Music and Gender, 317-35, 2000 | 16 | 2000 |
| Performing soundwalks for Journees Sonores, canal de Lachine A McCartney Performing nature: Explorations in Ecology and the Arts, 217-234, 2005 | 12 | 2005 |
| Meaningful listening through soundwalks A McCartney Proceedings of the Electroacoustic Music Studies Network Conference, 1-5, 2012 | 11 | 2012 |
| Whose Playground, Which Games and What Rules?: Women Composers in the Digital Playground. A McCartney ICMC, 1995 | 11 | 1995 |
| Introduction: In and Out of the Sound Studio A McCartney Intersections 26 (2), 3-19, 2006 | 10 | 2006 |
