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Andra McCartney
Andra McCartney
Professor emerita of Communication Studies at Concordia University
Verified email at concordia.ca - Homepage
Title
Cited by
Cited by
Year
Soundwalking: creating moving environmental sound narratives
A McCartney
Oxford Handbook of Mobile Music 2, 212-237, 2014
1152014
Soundwalking and the bodily exploration of places
D Paquette, A McCartney
Canadian Journal of Communication 37 (1), 135-145, 2012
952012
Sounding Places with Hildegard Westerkamp
A McCartney
Electronic Music Foundation Institute, 2000
80*2000
Soundscape works, listening, and the touch of sound
A McCartney
Aural cultures, 179-185, 2004
492004
Ethical questions about working with soundscapes
A McCartney
Soundscape: The Journal of Acoustic Ecology 10 (1), 24-26, 2010
47*2010
Circumscribed journeys through soundscape composition
A McCartney
Organised Sound 7 (1), 1-3, 2002
382002
Inventing images: constructing and contesting gender in thinking about electroacoustic music
A McCartney
Leonardo Music Journal 5 (1), 57-66, 1995
381995
Gender, genre, and electroacoustic soundmaking practices
A McCartney
Intersections Canadian Journal of Music 26 (2), 20-48, 2006
372006
In and out of the studio
A McCartney
Musicworks 90, 7-9, 2004
33*2004
In and out of the sound studio
A McCartney
Organised Sound 8 (1), 89-96, 2003
322003
Creating worlds for my music to exist: How women composers of electroacoustic music make place for their voices
A McCartney
York University, 1994
281994
Soundscape compositions and the subversion of electroacoustic norms
A McCartney
The Radio Art Companion, 14-22, 2002
272002
“How am I to listen to you?”: Soundwalking, Intimacy and Improvised Listening
A McCartney
Negotiated Moments: Improvisation, Sound and Subjectivity, 37-54, 2016
242016
Alien intimacies: hearing science fiction narratives in Hildegard Westerkamp's Cricket Voice (or 'I don't like the country, the crickets make me nervous')
A McCartney
Organised Sound 7 (1), 45-49, 2002
212002
Cyborg experiences: contradictions and tensions of technology, nature, and the body in Hildegard Westerkamp’s ‘Breathing room’
A McCartney
Music and Gender, 317-35, 2000
162000
"Walking, listening, speaking"
A McCartney, D Paquette
Ambiances en actes / Ambiances in action, 189-194, 2012
15*2012
Soundwalking and improvisation
A McCartney
Improvisation, Community and Social Practice, 2010
152010
Performing soundwalks for Journees Sonores, canal de Lachine
A McCartney
Performing nature: Explorations in Ecology and the Arts, 217-234, 2005
122005
Introduction: In and Out of the Sound Studio
A McCartney
Intersections 26 (2), 3-19, 2006
112006
Whose Playground, Which Games and What Rules?: Women Composers in the Digital Playground.
A McCartney
ICMC, 1995
111995
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