David R. W. Sears
David R. W. Sears
Assistant Professor, Interdisciplinary Arts, Texas Tech University
Verified email at ttu.edu - Homepage
Cited by
Cited by
Perceiving the classical cadence
DRW Sears, WE Caplin, S McAdams
Music Perception: An Interdisciplinary Journal 31 (5), 397-417, 2014
Simulating melodic and harmonic expectations for tonal cadences using probabilistic models
DRW Sears, MT Pearce, WE Caplin, S McAdams
Journal of New Music Research, 2017
Psychophysiological responses to auditory change
L Chuen, DRW Sears, S McAdams
Psychophysiology, 2016
Modeling harmony with skip-grams
DRW Sears, A Arzt, H Frostel, R Sonnleitner, G Widmer
Proceedings of the 18th International Society for Music Information …, 2017
The classical cadence as a closing schema: Learning, memory, and perception
DRW Sears
McGill University, 2016
Psychophysiological measures of emotional response to Romantic orchestral music and their musical and acoustic correlates
K Trochidis, DRW Sears, DL Trân, S McAdams
From Sounds to Music and Emotions, 44-57, 2012
A large-scale study of language models for chord prediction
F Korzeniowski, DRW Sears, G Widmer
Proceedings of the 2018 IEEE International Conference on Acoustics, Speech …, 2018
The perception of cadential closure
DRW Sears
What is a cadence? Theoretical and analytical perspectives on cadences in …, 2015
Expectations for tonal cadences: Sensory and cognitive priming effects
DRW Sears, MT Pearce, J Spitzer, WE Caplin, S McAdams
Quarterly Journal of Experimental Psychology 72 (6), 1422-1438, 2019
Psychophysiological indices of music-evoked emotions in musicians
M Ogg, DRW Sears, M Marin, S McAdams
Music Perception 34 (6), 2017
Evaluating language models of tonal harmony
DRW Sears, F Korzeniowski, G Widmer
Proceedings of the 19th International Society for Music Information …, 2018
Beneath (or beyond) the surface: Discovering voice-leading patterns with skip-grams
DRW Sears, G Widmer
Journal of Mathematics and Music, 2020
Expecting the end: Continuous expectancy ratings for tonal cadences
DRW Sears, J Spitzer, WE Caplin, S McAdams
Psychology of Music 48 (3), 358-375, 2020
What were you expecting? Using expectancy features to predict expressive performances of classical piano music
CE Cancino-Chacón, M Grachten, DRW Sears, G Widmer
Proceedings of Music and Machine Learning (MML 2017), 2017
Automatic estimation of harmonic tension by distributed representation of chords
A Nikrang, DRW Sears, G Widmer
Proceedings of the 13th International Symposium on Computer Music …, 2017
Family resemblance and the classical cadence typology: Classification using phylogenetic trees
DRW Sears
Proceedings of the European Music Analysis Conference (EUROMAC), 1-2, 2017
Triadic patterns across classical and popular music corpora: Stylistic conventions, or characteristic idioms?
DRW Sears, D Forrest
Journal of Mathematics and Music, 2021
Why Making Matters Online: The Pinterest-DIY Data Set
MS Weintraub, DRW Sears
AoIR Selected Papers of Internet Research, 2021
Music Cognition: The Complexity of Musical Structure
D Harasim, C Finkensiep, L Bigo, M Giraud, F Levé, DRW Sears, ...
Proceedings of the Annual Meeting of the Cognitive Science Society 43 (43), 2021
Intonation discrimination for tonal chord sequences in a priming paradigm: Effects of target predictability and musical expertise
DRW Sears, J Verbeten, HM Percival
Auditory Perception and Cognition, 2021
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